Muhammad, a giant step by Iranian cinema toward Muslim unity

Prophet Mohammad Movie

Muhammad, which will premiere at the 2015 Fajr Festival, is a cultural symbol of Muslim unity.

Majid Majidi
Majid Majidi

Muhammad, a 2015 Iranian movie directed by Majid Majidi, revolves around the childhood of the Muslim Prophet. The movie’s pre-production began in October 2007 and its filming was completed six years later. Muhammad opens to the Valley of Abu Talib where Muslims were under siege, flashes back to the years before the birth of the Prophet and takes the viewers to the days in Mecca when Muhammad was a child.

Foreign big names have joined the Iranian film crew, among them Vittorio Storaro, an Italian cinematographer; Scott E. Anderson, a visual effects supervisor; Giannetto De Rossi, an Italian make-up artist; A. R. Rahman, an Indian composer and musician; Sami Yusuf, an Iranian-born British singer; and Michael O’Connor, an English costume designer.

The film which intends to show the compassionate face of Prophet Muhammad (PBUH) is set to premiere at the 33rd Fajr International Film Festival in Iran later this year. There are unconfirmed reports that the movie will be screened abroad afterward.

Majidi, the Oscar-nominated Iranian filmmaker, didn’t rule out reports that Muhammad will hit the screen at the Berlin International Film Festival. He also said that Sony Pictures has put forward proposals for the global screening of the movie.

The movie is shot in a village near Qom in central Iran. Mohsen Shah-Ebrahimi, the movie’s set designer, says he found the village on Google Earth. Two towns have been built near the village to serve as the filming location of Iran’s biggest-budget production to date (some $21 million).

As for the film location, Mohammad-Mehdi Heydarian, executive producer, says that other countries including Turkey have asked to use Muhammad’s location for shooting TV series, but the location cannot be used for other movies before the film’s public screening.

The Supreme Leader has paid a visit to the location to get a first-hand account of the backstage of Muhammad.

Concerning the childhood of the Prophet which has been depicted in the movie, Majidi says he wanted to address a wide segment of the people of the Muslim world, making a film which can match up to international standards.

“I talked with a large number of experts in Islamic studies, historians as well as Sunni and Shiite scholars [in Iran and foreign countries] as I conducted a two-year study on different aspects of the Prophet’s life. I picked the part which causes no controversy between Shiites and Sunnis, trying to inspire consensus between Muslims from a cultural angle”, Majidi said.

The movie has triggered opposition in certain Muslim nations even before making it onto the big screen. Majidi, however, has invited the Muslim scholars in the Cairo-based Al-Azhar University to watch the movie before passing judgment about it.


Emad Askarieh has worked as a journalist since 2002. The main focus of his work is foreign policy and world diplomacy. He started his career at Iran Front Page Media Group, and is currently serving as the World Editor and the Vice-President for Executive Affairs at the Iran Front Page (IFP) news website.


  1. Why is approval of “scholars” something looked for? If you engulf a piece of artwork within the existing perceptions of people who have some well-established opinions (valid or not) you can not shake the ground well enough to change the paradigm about certain perceptions. The article suggests the movie seeks for “approval” rather than “suggestion”, which, I believe, is the main difference between what is expected from narratives coming from the west and the east… Another thing I don’t understand is how the movie can focus on Islam if it focuses on a period that predates Mohammad’s days as a prophet. Anyway, this is to be seen… It would be nice if you also noted the dates for the festival in which the first screening will take place.

  2. Muslims should have no objection for screening a film that creates awareness about the greatest person who transformed nations with a smile on his face. A script, as claimed, approved by Muslim scholars by Sunni & Shia school of thought leaves no chance of any ambiguity and should be looked at with a right perspective. Muslims must also remember that the film “Message” by late Moustaffa Akkad was a great success and a huge percentage of Muslims in the world own a copy.

    • The question is not, in my view, whether Moslems have objections or not. The question is whether Moslems are breaching the very own reminder by the Prophet (PBUH) that his picture shall not be published. I am not an expert. I leave it to the great Islamic scholars.


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