Morteza Rezvanfar is a faculty member of the Research Center on Cultural Heritage, who is working with the Iranian Academy of Arts on a book called The Common Heritage of Iran and the World with a Focus on Persian Inscriptions.
“The subject of this book is Persian inscriptions around the world and it covers the area of influence of the Iranian culture and civilization. I have been working for a few years to identify and document Persian inscriptions across the world. Therefore, I travel to different areas and document the inscriptions. After the text of the inscriptions are read and written down, they, along with the pictures of the inscriptions and the building [where it is installed] will be published in the form of a book,” he said.
Rezvanfar said his work spans the farthest Asian port cities in the east through Africa to Europe. He said there were numerous Persian inscriptions to document in the geography he is covering.
“I first saw Mohtasham’s elegy at Shah Abbas Safavi Mosque in the city of Darband (the city which was built by Sassanid king Khosrow Anushirvan and his father Kavad as the apex of the Sassanid civilization) in Russia’s Republic of Dagestan. Later, I saw the poem in Burma or Myanmar in East Asian, Iraq’s Kadhimiya, Zanzibar, Tanzania’s Darussalam and Kenya’s port city of Mombasa. I should say Mohtasham’s poem on Ashura is the most widely used Persian text I have documented [on inscriptions] from East Asia to east Africa,” he said.
The researcher said there are numerous elegies around, including on Ashura, by renowned poets, but it is the “power and firm structure” of Mohtasham’s craftsmanship, which make it leave an impact.
According to Rezvanfar, the elegy begins with an epic note and lines asking about the source of a “tumult” he is going to describe, and which has hit “among people in the world”. He said Mohtasham casts it in the form of a resurrection and a day of judgment spanning the whole world and then brings in the suffering of Imam Hussein, and the whole household of Prophet Mohammad’s only daughter, and the oppression they have been subjected to.
“One can even say this poem is [now] a flag and a manifesto of the Shiite [Muslims] in different areas of the world.” He said.