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Chehel Sotoun: A Mesmerizing Monument in Central Iran

Chehel Sotoun is one of Iran’s most famous historical monuments dating back to the Safavid era.

The structure, a pavilion in the middle of a park at the far end of a long pool, was built on a 67,000-square-metre expanse of land upon the order of King Abbas I, the fifth Safavid king of Iran.

The structure was completed during the rule of King Abbas II when the central building of the monument was overhauled.

The key changes included the Mirror Hall, the 20-Column Hall, a giant pool in front of the building and all the decorative paintings there.

Chehel Sotoun literally means “Forty Columns” in Persian.

The reason why the structure was named so was that the 20 columns of the 20-Column Hall were reflected in the pool.

The Central Hall of the structure was dedicated to foreign guests and dignitaries.

It is decorated with paintings which depict the historical events of different eras.

This glorious hall with a painting-decorated dome on top is one of the artistic masterpieces of the time.

Chehel Sotoun was registered on Iran’s List of National Heritage sites by the Cultural Heritage Organization in 1931, and decades later in 2011 was put on the World Heritage List of the United Nations Educational, Scientific and Cultural Organization (UNESCO).

The colossal Marmar Pool with a reflection of the 20 columns. The pool is located on the east side of the monument.
Plaster work, Muqarnas decorations, goldwork and illumination-style paintings on the ceiling of the Main Hall of Chehel Sotoun.
The lintel of the Qotbiyah Mosque built during the rule of King Tahmasp I. In order to preserve the tiles, they were moved to a new lintel at Chehel Sotoun. The inscription on the lintel was calligraphed on white tiles on an azure-coloured background in 1543.more
The war between Nader Shah Afshar (a powerful Iranian ruler) and Muhammad Shah, an emperor of India, in an area near New Delhi in 1772 is depicted on a wall of Chehel Sotoun.
Inscriptions of a famous Koranic verse at the entrance to the Mirror Hall put up symmetrically on both sides.
Bases of Columns shaped like lions and girls located on all four corners of the pool.
Muqarnas decorations on the lintel at the entrance door to the Mirror Hall made with silver pieces of mirror.
Paintings of ambassadors and Europeans during the rule of King Abbas II on the southern porch of the structure.
Images of Europeans and ambassadors of King Abbas II painted by two Dutch artists on porches on both sides of the building.
Plasterwork and illumination-style paintings on a wall in the east wing of the Main Hall of Chehel Sotoun.
The painting on the left depicts a feast where King Abbas I is hosting Vali Muhammad Khan, a leader of the Ashtarkhanid dynasty in the Khanate of Bukhara, who took refuge with King Abbas I in 1611 to regain his lost rule.more
The ceiling and entrance door of the Mirror Hall decorated with silver pieces of mirror.
The ceiling and entrance door of the Mirror Hall decorated with silver pieces of mirror.
A painting depicting the Chaldoran war between King Ismail I of the Safavid dynasty and Sultan Selim I, a king of the Ottoman Empire in 1514. The hero of this fighting scene is King Ismail I himself who is seen riding on a white horse and wearing a Qizilbash crown while fighting with a sword. Sultan Selim I is also depicted farther away in the same painting.more
A small pool located on the west wing of Chehel Sotoun.
The destruction of paintings on the Main Hall on the west side of the hall by Zal-ul-Soltan. The paintings illustrate different scenes of dancing.
Inlaid wood work and decorative mirror work on the ceiling of the Mirror Hall of Chehel Sotoun. The pieces of mirror used are made of silver.
IFP Editorial Staff

The IFP Editorial Staff is composed of dozens of skilled journalists, news-writers, and analysts whose works are edited and published by experienced editors specialized in Iran News. The editor of each IFP Service is responsible for the report published by the Iran Front Page (IFP) news website, and can be contacted through the ways mentioned in the "IFP Editorial Staff" section.

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